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I teach art basics and color theory. The classes will take students
to a deep level of seeing
and connectedness.
You will be guided
to use the elements and principles of art,
art history, and current events
to explore personal insights and to generate ideas.
You will learn to support
idea and communication in the art you make. These classes
are on-going and can be joined when a seat
available.
Call 303-664-0086 for information.
Classes apply to all the Visual Arts. Design is about relationships
within the frame. There are basic elements and principles of design
that artists apply to any art project: drawing, printmaking, painting,
sculpture, or graphic design projects.
The information is for beginner and advanced students.
The classes
are about involving you beyond technique in the process of art.
Learn
to use a sketchbook to generate ideas, to learn to see, to record ideas.
We support our development by learning from art history and current events.
My education includes an AB in Studio Art from the University of North Carolina
at Chapel Hill, where I received an excellent background in Art History.
I studied with Edith Niblo and John Lencicki after moving to Colorado in 1970.
John was a student of Maitland Graves. I also studied with Jim
Valone,
a student of Hans Hofmann, and Chuck Ceraso, a student of Henry Hensche.
My teaching background is Rocky Mountain College of Art & Design
for 9 years,
UCDenver Extended Studies, and the Louisville Center for the Arts,
and I teach
in my ArtWorks Seminars for marketing professionals.
Please join us,
come study in the studio on Raintree Court
in Louisville, Colorado.
Workshop starts January 2008.
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Ongoing Weekly Classes start September. New Classes begin in January.
Choose Thursday morning or Thursday afternoon or Saturday morning or Wednesday afternoon. Call
for more info 303-664-0086 or e-mail for a flyer in pdf format.
or a Free
Artfax newsletter.
Private sessions: $20 an hour.
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Spotlight on Joan Mitchell 
"Mitchell moved to Paris, not the Midi. Besides, in her work from 1960 to
1962, again on view in New York, she may come closest to the ideals of the
New York School. One can see landscape in her open backgrounds of the 1950s.
One can see it in the regular shapes, like ponds or garden plots, in her
late paintings. However, in what her gallery calls her Frémicourt
paintings, after her studio address, she puts paint literally front and
center." Find out more Google or Artnet
.
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